One Good Turn Page 37

  A baby would heal Julia. The lost Olivia would somehow be re-born in Julia’s own baby. A baby would make everything right for Julia, and for the two of them. A couple. If they were going to be parents, then one way or another she was going to have to come to terms with that word. A baby would heal Jackson too, close up some of his wounds. What had Louise said? “Sperm meets egg and bam. It can happen to the best of us.” And it had happened to Julia.

  Not a new path, but a new world to walk in.

  49

  Louise could hear classical music playing in the living room. The house lights were off and instead a scented candle was burning in the hearth. He had put Classic FM on the radio. Her heart broke for the way he had tried to deal with everything. She could see the back of Archie’s head above the sofa. Thou knowest, Lord, the secrets of our hearts, shut not up thy merciful ears to our prayers. She must have made a noise because he turned his head slightly and said, “Mum?” She could hear the tearful tremor in his voice.

  “Archie?” She approached the sofa slowly. She bit down hard on her lip to try to stop the howl that was trying to escape from some deep, deep place inside. Archie looked up at her and said quietly, “I’m sorry, Mum.” His eyes were rimmed with red, he looked ghastly. In his arms he was cradling Jellybean as if he were a newborn baby, but he was deflated and shrunk, the life all gone from him. He was wrapped in an old sweater of Louise’s. “I thought he’d like to smell you,” Archie said. Another turn of the corkscrew. Her heart in shreds. “It’s okay to cry, Mum,” he said, and the pain finally forced its way out—a terrible wail of lamen-tation, a high-pitched keening that sounded as if it belonged to someone else.

  She hadn’t been present at her cat’s birth, and now she had missed his death. “But you had everything in between,” Archie said. It was disturbing how like an adult he sounded. “Here,” he said, carefully passing his sad, swaddled bundle over to her. “I’ll make a cup of tea.”

  She unwrapped the cat and kissed him on the head, the ears, the paws. Even this shall pass.

  When Archie came back with the tea it was sweet, he must have heard it somewhere on television, hot, sweet tea in times of crisis. She had never taken sugar in tea in her life, but there was something unexpectedly comforting about it.

  “He had a good life,” Archie said. He wasn’t old enough for it to be a cliché to him.

  “I know.” Love was the hardest thing. Don’t let anyone ever tell you different.

  50

  “We have to leave, Gloria,”Tatiana said.

  The machines continued to hiss and pump, Graham continued to float in space. Gloria bent down and kissed Graham on the forehead. A benediction or a curse, or both, because everything could be encompassed in the synthesis that was reality. Black and white, good and bad. His flesh already felt like clay.

  What were the true crimes? Capitalism, religion, sex? Mur-der—usually, but not necessarily. Theft—ditto. But cruelty and indifference were also crimes. As were bad manners and callousness. Worst of all was indifference.

  Not long after Gloria married Graham, they went to his par-ents’—Beryl and Jock’s—for Sunday lunch. A skinny roast duck, as Gloria remembered, counterbalanced by a hefty plum cobbler. It never ceased to amaze Gloria that she could barely remember what happened last Friday but could recall in detail meals that she had eaten forty and more years ago.

  For some reason their car was in the garage that day (Graham had brought a Triumph Herald to the marriage), so Graham’s father had given them a lift to the modest “Hatter Home” (the old “Pencaitland” model, long abandoned) that had been a wedding gift from Jock and Beryl. It had been known as a “starter home.” No one sold “finisher homes,” did they?

  On the way, they made a detour via “the yard” on some busi-ness or other that father and son had to attend to, long forgotten now. At the time Hatter Homes was just a builders’ yard with a ramshackle office in one corner. Gloria got out of the car, she’d never been to the yard or the office before and supposed she should take an interest now that she herself was a Hatter. She should never have given up her maiden name of Lewis, of course. Now might be a good time to revert it, now that she was an out-law widow. People changed their identities all the time, her own grandfather had changed his name to Lewis after he arrived in Leeds from Poland with nothing more than a cardboard suitcase and a surname that no one could pronounce.

  The two Hatter men went into the office, and Gloria wandered around the yard with its mysterious pallets and sacks. She couldn’t imagine how you even began to build a house, she wondered what would have happened to the human race if it had all been up to her at the point when man first struck flint on flint and made a tool. She would never have managed anything as sophisticated as a shelf, everything would now be kept in hammocks and bags, probably. She was a gatherer, Graham was a screwdriver-wielding hunter. He would go out and build things, and she would stay inside and rear things. This was only a month after their wedding, when the sparkle was still on their union and Gloria was deliri-ously busy with buying matching tea plates and squeegee mops.

  At that moment Gloria heard a little mewling noise that proved, when investigated, to be—joy of joys—a nest of kittens, still blind and molelike, curled up with their mother in a corner of the yard behind a pile of old wood.

  Hatters, senior and junior, emerged from the office, her new father-in-law hailing her with “You found those damn kittens then, Gloria?” Gloria, who was already planning the sheepskin-lined basket she would provide for at least two, possibly all, of the kittens, a Hatter home within a Hatter Home, said, “Oh, they’re so gorgeous, Mr. Hatter.” Gloria’s toes wriggled with the cuteness of the kittens. She still couldn’t manage the familiarity of “Jock” and in fact never did for the three years she was his daughter-in-law, before he had a massive heart attack, dropping dead on-site into the mud in the breeze-block shell of one of his houses while his men gathered around and stared down at his lifeless body in as-tonishment. The titan had left the building. The Olympian, mean-while, was in the unfinished kitchen, wondering if he could get away with putting in a smaller window.

  “Graham,” Jock Hatter said, “get the bloody things, will you?”

  “Sure,” Graham said, scooping up all five soft, warm kitten bodies and in one easy movement plunging them into a water butt that stood next to the office. Gloria was so surprised that for a terrible second she merely watched, mute and motionless, as if she were under a spell. Then she screamed and made to run to Graham to res-cue the kittens, but “Jock” held her back. He was a small man but astonishingly strong, and no matter how much she twisted and turned to get away from him, she couldn’t escape his grip. “Has to be done, lass,” he said softly when she finally gave up. “It’s just the way of the world.” Graham removed the five limp little bodies from the water butt and threw them into an old oil drum that was used for waste.

  “Fucking cats,” he said when she became hysterical with him later in the galley kitchen of their starter home. “You need to stop being so fucking soft, Gloria. They’re just fucking animals.”

  “Murdered.” The word had sounded strange falling from Ta-tiana’s lips, it rolled around like thunder, it cracked the sky. Glo-ria wondered if the cracked sky was going to break into pieces and fall at her feet. Her stomach felt hot and liquid, and her heart was beating faster than was healthy in a woman on the verge of a bus pass. Tatiana’s friend had been murdered. Lena. A good person.

  Gloria knew what Tatiana was going to say.And the worst thing was that she had believed it even before the name was said, so she said it first.

  “Graham,” she said flatly.

  “Yes,” Tatiana agreed. “Graham. He is very bad man. He told Terry to kill her. Same thing as killing her himself. No difference.”

  “No,” Gloria agreed. “No difference. No difference at all.”

  “Lena was going to cops, tell everything she knew.”

  “What did she know? About the fraud?�
�

  Tatiana laughed. “Fraud is nothing, Gloria. Many worse things than fraud. Graham’s in business with very, very bad men. You don’t want to know, they come after you. We really have to go now.”

  Gloria leaned closer to her husband and whispered in his ear,

  “Look upon my works, ye Mighty, and despair.”

  They had left the scene of a murder. They were making a real get-away. Gloria was breaking rules, although not her own. She had rescued the black plastic bag of cash and the Memory Stick, but other than that they were fleeing in the clothes they stood up in. Tatiana had made a phone call, and a big black car had driven up to the back door and they had stepped in it. It was, if Gloria wasn’t mistaken, the same car that had picked Tatiana up from the hospital after Graham’s heart attack. The driver remained mute throughout their journey, and Gloria didn’t ask who the black car belonged to. Big black cars with blacked-out windows tended to belong to bad people.

  They were driving south, toward the airport, but Gloria had requested “a little detour.”

  “Why?”Tatiana asked.

  “Business,” Gloria said as the mute driver followed her instruc-tions and turned off the main road and onto a housing estate. “A little unfinished business.” “Glencrest Way,” Tatiana announced, reading the street sign.

  Glencrest Way was followed by Glencrest Close, Glencrest Avenue, Glencrest Road, Glencrest Gardens, and Glencrest Wynd, the ti-tles of all of which Tatiana insisted on reciting, like an exotic replacement for the black car’s satellite navigation system, which refused to work among the baffling complexity of the housing es-tate’s streets, shielded by the lingering fog of Graham’s presence, the cloud of knowing.

  “The Glencrest Estate,” Gloria said rather redundantly as the black car drew to a halt at the curbside. “Real Homes for Real People. Built on old mine workings.” She hauled out the black plastic garbage bag that contained seventy-three thousand, five hundred pounds in twenty-pound notes.

  Tatiana leaned against the side of the car and smoked while Gloria dragged the black plastic bag from house to house, distrib-uting bundles of notes on the doorsteps. Not enough for every-one, but then life was a lottery.

  “Is tragedy,” Tatiana said, shaking her head. “You’re one crazy person, Gloria.”

  They climbed back in the black car and drove away. The bun-dles of notes weren’t tied together, and the evening breeze began to lift them and toss them around like giant flakes of ash. In the rearview mirror Gloria caught a glimpse of someone coming out of one of Graham’s mean houses—a “Braecroft”—and looking as-tonished at the sight of money flying around in the air.

  Feared by the bad, loved by the good. They were bandit queens, they were robber girls. They were outlaws.

  51

  Black space. White light. Applause. The applause sounded quite vigorous to Jackson’s ears, but then, apart from a couple of critics, the audience was weighted with friends and family and hangers-on. He was tonight’s representative of all those things for Julia, and he had managed to miss the entire performance, slipping in at the back of the theater just in time to see the cast taking their bow. Jackson knew that murder and mayhem weren’t good enough excuses for missing Julia’s show. Perhaps he should have turned up covered in blood after all.

  In the bar afterward the entire cast was giddy with relief, like an overexcited nursery-school class. Tobias made a performance out of making sure everyone had champagne and then giving an extravagant, congratulatory toast that Jackson stopped listening to halfway through. “To us!” they all concluded, clinking their glasses high.

  Julia put her arm through his and rested her head against his shoulder.

  “How was it for you?” he asked, and he felt her wilt slightly against him.

  “Bloody awful,” she said. “Whole chunks of that scene on the iceberg went AWOL and that idiot boy didn’t give me any of the right lines.”

  “Scott Marshall? Your lover?”

  Julia removed her arm from his.

  “Still, you were great,” he said, wishing he himself was a better actor. “You were really great.”

  Julia downed her glass of champagne in one. “And,” she said, “when that usher came down the aisles and actually asked if there was a doctor in the house—I mean, not that I wasn’t sorry for the man who had the heart attack, but trying to carry on as if nothing were going on . . .”

  “These things happen,” Jackson said soothingly.

  “Yes, they do, but not in tonight’s show, Jackson,” she snapped. “You weren’t there, were you? You managed to miss my opening night! What happened that was so important? Did someone die? Or did someone just say, ‘Help me, Jackson’?”

  “Well, as it happens—”

  “You are so fucking predictable.”

  “Calm down.”

  “Calm down?” Never say that to a woman, it was on the first page of the handbook that didn’t come with them. “I will not fucking calm down.” She lit a cigarette, sucking deeply on it as if it contained Ventolin.

  “You shouldn’t,” he said (words also advised against in the hand-book). “You know you’re going to have to stop smoking. And drinking.”

  “Why?”

  “Why do you think?”

  “I don’t know.”There was a new fury in her eyes, a challenge that he knew he shouldn’t pick up. And it was ridiculous. It wasn’t how he had envisaged this moment at all. He had imagined candles, flowers, a loving-kindness enveloping them both like a shawl. “Because you’re pregnant,” Jackson said.

  “So?” She tilted her chin up defiantly and blew cigarette smoke toward the ceiling, where it joined the polluted cloud above their heads.

  “So?” he echoed irritably. “What does that mean? So?”This conversation shouldn’t be taking place in a dingy bar crowded with noisy people, but he couldn’t think how to maneuver her out of the building. He wondered how she had planned to give him the news. The annunciation. The preciousness of it all was being horribly stained. Then a terrible thought struck him. “You weren’t planning to get rid of it, were you?”

  She gave him a cold, level look. “Get rid of it?”

  “A termination. Jesus, Julia, you can’t be thinking of doing that.” He almost said, “This might be your only chance,” but somehow or other he managed to block that one.

  “Just because I’ve got big tits doesn’t necessarily make me ma-ternal, Jackson.”

  “Julia, you would make a wonderful mother.” She would. He couldn’t believe that she didn’t want to experience motherhood. They had never talked about children, they had talked about marriage but never about children. Why was that? How could a man and a woman have a relationship and not discuss that?

  “We’ve never talked about having children, Jackson. And it’s my body and my life.”

  “My baby,” he said.

  She raised an eyebrow. “Your baby?”

  “Our baby,” he amended. Something passed across her face, an immense sadness and regret. She shook her head and stubbed the cigarette out in an ashtray on the bar. Then she looked at him and said, “I’m sorry, Jackson. It’s not. It’s not yours.”

  FRIDAY

  52

  “Jesus. Are you sure? You’re sure he’s dead? Have you called the vet?”

  The shop assistant was watching him as if there were a magnet between his face and hers. Her features mirrored his horror, as if she’d entered into the drama of his life. Give the girl an Academy Award.

  “Everything all right?” she said when he came off his mobile.

  “That was my mum,”Archie said, “our cat’s dead.”

  “Oh, no,” she said, her face all crumpled. Her lip actually trembled.

  “Ooh, that was a good one,” Hamish whispered as they left the shop. “We should have thought about dead cats before, girls really go for that kind of thing.”

  Archie felt bad using the cat like that, although it had helped him draw on some genuine emotion in his performanc
e. He was sorry about the cat. He hadn’t realized he cared until it started yowling, it had been an awful noise, gave him the creeps. Its back legs had gone and it just lay there panting. Sometimes when his mother was out working, especially when she was working at night, he would get this horrid pain clutching at his chest because he thought, What would I do if she died? If she was in a high-speed chase and she crashed? Or if someone shot her or stabbed her? His heart went fluttery and he felt faint if he imagined it.

  The way she loved that cat was weird. Her own mother died last week and she’d drunk a toast. “Here’s to the old bitch, may she burn in hell for all eternity.” But the cat died and she’d bawled her eyes out. And his mother, whatever else she was, was tough. He’d hated it when she cried.

  He had tried to make it better for her, tried to think what she would have done if she’d been there. Candles and music, almost religious. He wrapped the cat in a sweater that belonged to her and then cradled it. It died in his arms. He’d watched it happen. There was a moment when it was alive and then there was a mo-ment when it was dead and nothing in between. One day that would happen to his mother. His family was too small, just him-self, his mother, and an old cat, that was it, and now the cat had gone. Hamish had two sisters, a father, grandfathers, grandmoth-ers, aunts, uncles, cousins, he had more relatives than anyone could possibly need. Archie had only his mother. If something happened to her, he’d be on his own.

  He had cried when the cat died, everything inside him had suddenly felt too big, like it was all going to burst out. His mother came in and hugged him and he’d wanted to be a baby again and they’d cried together, she was crying for the cat and he was crying for the fact that he could never be a baby again. Then he’d made her a cup of tea and gone out and bought chips and they’d watched teatime television and it had been nice despite the cat being dead and his mother being so unhappy about it. She said, “We’ll get him cremated, the vet gave me a leaflet. You can get this little wooden box and have his photograph put on it, a little brass plaque with his name, and we’ll keep it on the mantelpiece.” Her own mother was sitting neglected on a shelf in the garage. There was irony for you. It had all been so close between them at that point that he’d almost admitted everything. About all the thieving, about finding Martin Canning’s wallet in the Cowgate (not stealing, the guy must have lost it), getting the address for his office from the wallet, breaking into his office (for fun, which it had been). Hamish could pick locks like a master thief. His goal in life was to rob his father’s bank. Hamish hated his father in a way that Archie found scary. But then Archie changed his mind about sharing because it seemed mean to do his mother’s head in while she was so upset. Some other time.